Thursday, 21 February 2013

Sau - some background to the setting of "Ona's Flood"


Pantà de Sau (Sau Reservoir) is the setting for the fictional tale of Ona’s Flood by Harvey Brough and libretto by Clara Sanabras. This brand new commission by Barnstorm will receive its World Premiere in the Tithe Barn, Bradford on Avon in July 2013 as part of a double-bill listing with Benjamin Britten’s community opera, Noye’s Fludde.


Ona’s Flood is a modern-day flood story and written as a companion piece to Noye’s Fludde, with many of the key themes in common, and the characters drawing many parallels between the two works. Set in Catalonia, the Sau Reservoir was created in 1962 by submerging the village of Sau. It is 17km and 3km wide at its maximum. The main point of interest however, is the bell tower of the Romanesque church which, when the level is low, can be seen above the water. For the locals it is a popular indicator of the level of the water, and serves as a central point around which to jet-ski, water-ski, yachting and for fishing. Many enjoy this scenic spot for its water sports and recreational potential, but for many visitors and tourists, the tower of the Sant Romà de Sau has a powerful emotional effect because of the feeling of “wrongness” about this whole village being submerged by man to feed water into Barcelona. As one commentator says, the church is now a “shelter for fish, not of souls”.



Read more here: http://en.wikipedia.org/wiki/Pant%C3%A0_de_Sau

Have a nosy here: http://www.youtube.com/watch?v=MP342xKK7m8

See people canoeing right by the submerged tower here: http://vimeo.com/46924315



How cool is that?!

Having taken a few days to recover from the excitement, I wanted to report on how the Project Launch on Monday evening went.

We had set up in the foyer of the Wiltshire Music Centre with six "islands" marked out with rainbow umbrellas, indicating where people should go to sign up for, or talk to someone about, auditions / choir / design team / volunteering / production / workshops.


People came in a steady stream all afternoon, and sign-ups for all the areas were really strong and ideas were pouring in for Noye's Fludde! Discussion was certainly free-flowing - as were the teas and coffees!

Particular interest was paid to the scale model of the set, brought in by the creative team from Salisbury Playhouse and designer Tom Paris. It's a wonderful way to use the space in the Tithe Barn effectively, whilst trying to make sure that there is enough space for the orchestra, and levels to fit all of the animals!



The buzz that has been building in the town translated brilliantly to the evening, and hopefully this will only continue to grow as time goes on and we build towards July. It's wonderful to hear so many people aware of what we are getting up to, and to have such local interest in active involvement.

The afternoon easily transitioned to evening, and from 7pm we all moved into the auditorium to hear all about our second flood: Ona's Flood. Clara Sanabras spoke beautifully about her story - a personal tale set in a real place near Vic in Catalonia, Spain at the Sau Reservoir [for more information about Sau, please read a blog post coming very soon ...!] and the fictional characters of the story. Ona, our fragile heroine, has a premonition of a flood. Her friend Mel, who is a climate change campaigner, travels with Ona on her journey, and both are escorted by the comical character of the Cockney driver of the coach (a modern-day ark!) The parallels between this Flood and Noye's Fludde are numerous, and are conceived of in often very subtle and intelligent ways. Clara described this as "mixing a cocktail" - to throw in all the ingredients of Noye, shake it, and see what comes out:
Ona = Noah
Mel = Mrs Noah
Coach trip = Ark
Coach driver = Voice of God


It was then over to Harvey to preview the music. He and Clara had recorded all the voice parts and played us key sections of the demo of the full choral arrangement. Much of the music was extremely beautiful and moving, holding those assembled entranced. There were also lots of extremely funny comical lines, and the lightness of the libretto and accompanying music made many laugh out loud. As a first airing of a piece, it was very well received and Harvey seemed pleased at its reception.

The time allowed of the evening gave the opportunity not just to listen, but to sing as well. Mike Daniels, musical director, and Kirsty Barry, pianist for the performances and Head of Music at St Laurence School, took to the stage to warm up the "choir". 


After a few stretches, we sang through two of the congregational hymns featured in Noye's Fludde, and one movement from Ona's Flood. We sang from Act III - De Profundis (Out of the depths have I creid to thee, O Lord) and from Act IV - Fiction (How cool is that?! How cool is that?! It's like Waterworld where Kevin Costner rescues that girl that is so cool! How cool is that?! How cool is that?! That is one of the seven wonders of the world!) The continued buzz through the evening was maintained right until the end, and everyone walked out excited and talking about the future.

All in all, a really wonderful evening. Thanks to the Barnstorm team, to Mike and Kirsty, Harvey and Clara, and most of all to everyone who turned up, showed an interest and played a part in the success of the whole project launch. We look forward to seeing you very soon. Watch this space and the website www.bradfordbarnstorm.org.uk for more information and updates about activities.

Monday, 28 January 2013

Flood Warning!


Update!

Harvey Brough has reported that he has finished writing Ona's Flood, the companion piece specially commissioned to receive its WORLD PREMIERE in July alongside our production of Noye's Fludde.

All of us at Barnstorm HQ are thrilled that the muse has clearly not been stuck in the blizzards or in the gym mid-detox, and are extremely excited for the event on February 18th for the first hearing of this new and never-before-heard work!

Here's a little more information if the above excitement, exclamation marks and water-based puns are not enough to whet your appetite to attend on the 18th.

Harvey Brough, composer, is one of the UK’s most diverse and accomplished musicians, having worked with artists and ensembles ranging from The English Concert Orchestra, Liane Carroll, the Dankworth Family, Soul II Soul, Mark Padmore and the Brodsky String Quartet. He is passionate about working with young people and with non-professional musicians and singers. In performance his work is secular in feel, rhythmically interesting, accessible, heartfelt and often moving. His work is an intriguing combination of influences: jazz, choral and early music, often marrying the ancient with the modern.

Clara Sanabras, the librettist for Ona's Flood, is a versatile musician and performer as well as being an exceptionally original songwriter. She writes in a variety of English, Spanish, French and Catalan, telling spellbinding stories in the languages in which they feel most natural and authentic. Harvey writes: “Clara’s ideas for this project were exactly in line with what I wanted – like Britten’s medieval text its subject is a flood. A subject which, when considered nowadays, raises some very modern questions about how mankind has changed the world we live in. And her extraordinarily varied musical experience and knowledge of anything from medieval music to Björk is key in her understanding of what I need for this project."

Ona’s Flood, a brand new work written specially for us to receive its world premiere this July, has been conceived as a modern counterpart to Noye’s Fludde by Benjamin Britten. Ona’s Flood is a suite of song texts set to music. A fictional 21st Century tale, the story unfolds as a premonition to a catastrophic world flood by a young female character, Ona, who is on a tourist outing to the site of a man-made lake and submerged village in Catalonia, where the extraordinary sight of the Romanesque church spire can been seen in the middle of the lake when the water level is low. The characters and their roles are contemporary, but not dissimilar to those in the early 15th century Mystery play that Britten used as his source.

Find out more about the Launch event on February 18, and about how to book tickets at www.bradfordbarnstorm.org.uk

Wednesday, 23 January 2013

PROJECT LAUNCH


You are cordially invited to attend the Bradford Barnstorm
PROJECT LAUNCH
Monday 18 February
at Wiltshire Music Centre
Come and be part of our brand new community production
Sing in a WORLD PREMIERE performance

From 4.00 pm
Major press launch.
Meet the director, designer, and conductor, Mike Daniels.
Text Box: Bradford Barnstorm - registered charity no. 1149448Find out more about the production of Noye’s Fludde.

From 6.00 pm
Meet and mingle for all interested in the Foyer Bar.
Find out about opportunities to volunteer and get involved creatively.

7.00 pm
Presentation of Ona’s Flood by Clara Sanabras, librettist, and Harvey Brough, composer. Followed by taster session for singers led by Harvey Brough.

NO AUDITION!

Sing through some of the movements of the piece. Informal, accessible and all-comers welcome, whether you have sung before or not. Interest and enthusiasm are more important than experience!

For more information and the choir rehearsal schedule please visit: www.bradfordbarnstorm.org.uk

It’s all about two floods ...

ONA’S FLOOD (a brand new work composed for us by Harvey Brough) will be performed by professional soloists, local school children and adults from our community on 12 and 13 July, 2013 in the historic Tithe Barn. This piece will be performed alongside Noah’s Flood (NOYE’S FLUDDE, by Benjamin Britten) fully staged as part of the nationwide Britten Centenary celebrations.

Monday, 5 November 2012

The Ark is structurally sound!

The good news just keeps coming recently!


We have now been informed that we have been awarded a grant from the Arts Council, Grant for the Arts scheme!

We have been so fortunate to receive the grants, pledges and donations that we have already got, but this really is a HUGE boost to funds, morale and probably sleep reserves too!

Many thanks from our whole team to Arts Council England!

Thanks also to the Barnstorm team who put so much effort into our application - it was a beast of a task!! It would be shocking to look at the hours put in by so many people, but it's all worth it in the end!

We were all at sea, but now have the wind in our sails and are full steam ahead towards July 2013!

Wednesday, 24 October 2012

Some exciting news ...



"Dear Applicant,


We are pleased to tell you that BRADFORD BARNSTORM has achieved charitable status and has been entered onto the Register of Charities with the Registered Charity Number 1149448."


... SO EXCITED!! This is such great news, and a really huge step towards the future of Barnstorm. 

Check out our page on the Charity Commission website:
 http://www.charitycommission.gov.uk/Showcharity/RegisterOfCharities/CharityFramework.aspx?RegisteredCharityNumber=1149448&SubsidiaryNumber=0


In other news, things have been ticking away:
- website is nearly done; watch this space for its launch
- musicians are being recruited; from Year 3 recorder clubs to international soloists!
- publicity in the Wiltshire Music Centre season brochure is being finalised and sent to the printers in the next few weeks - call the Box Office on 01225 860100 from 10am-6pm to be added to the mailing list
- meetings are going on regularly with various people and groups to firm up arrangements, production schedules and musical elements
- the Salisbury Playhouse creative team are coming up with some amazing ideas for the production, and are planning workshops in the schools to create some brilliant animal masks for the lucky participants


Do you know any local Bradford on Avon people or are you a local person who might like to get involved? Get in touch by Facebook or Twitter @BoABarnstorm if you do!

Thursday, 4 October 2012

Just a quick one today ...

The website is in progress! Designs and layouts have been agreed and work continues. Watch this space for news of when it goes live.


Also, an important meeting on the Tithe Barn site was held on yesterday between artistic director of the project, Judy Eglington, with Ritka Carr of BoA Arts Festival, and Kate Nottage, as well as the proposed creative team from Salisbury Playhouse. (Mark Powell, participation officer; Benjamin Occipinti, director; Karen McKeown, designer.) They are experienced in community projects. In depth discussions were held, particularly as to how this will be built as a cross-community genuinely open access project.

Very exciting stuff!